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Social Science Feminism & Feminist Theory

The Boys' Club

The Many Worlds of Male Power

by (author) Martine Delvaux

translated by Katia Grubisic

Publisher
Talonbooks
Initial publish date
Jun 2024
Category
Feminism & Feminist Theory, Women Authors, Media Studies
  • Paperback / softback

    ISBN
    9781772016024
    Publish Date
    Jun 2024
    List Price
    $24.95

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Description

Acclaimed Québec feminist writer Martine Delvaux turns her sharp eye and sharper pen on the brazen misogyny of men in power in every field, including Hollywood, politics, tech, law enforcement, architecture, religion, and the military. In this piercing study of patriarchy, Delvaux points out the deleterious effects of the tunnel vision that results from only seeing and reflecting the male experience. A study of the social impacts of visual media, The Boys' Club looks at the history of gentlemen's clubs and male fraternity on a global scale. Examining popular media produced about men by men, Delvaux seeks to challenge the positioning of women as ‘object’ and men as ‘subject’. The Boys' Club exposes a culture of consumption which profits off the female experience while disregarding the female voice.

This activist text is also a work of cultural scholarship: The Boys' Club is deeply informed by Delvaux’s long engagement with the work of feminist scholars, film critics, historians, writers, and journalists. Beyond the gender disparities portrayed in film and television, Delvaux speaks to a pattern of contempt, exclusion, and patriarchal violence. But it is not enough to keep pointing out inequities; by naming misogyny’s circular, self-propagating systems, Delvaux undermines the mechanisms of social, cultural, economic, and political machines in order to break up the boys' club.

About the authors

Novelist Martine Delvaux was born in Quebec City and brought up in a francophone village in Ontario. She is the author of four novels, an essay on photographer Nan Goldin, and another on Serial Girls from Barbie to Pussy Riot (Fall 2016, Between the Lines). Her first book in English, Bitter Rose (translated by David Homel) was published by LLP to critical acclaim in 2015. Delvaux studied in the United States, taught in England, and now lives in Montreal, where she teaches women’s studies at Université du Québec à Montréal.

Martine Delvaux's profile page

Katia Grubisic is a writer, editor, and translator whose work has appeared in various Canadian and international publications including The Walrus, The Fiddlehead, The Globe and Mail, Grain, The Spoon River Poetry Review, and Prairie Fire. Her collection What if red ran out (Goose Lane Editions, 2008) was shortlisted for the A.M. Klein Prize for Poetry and won the 2009 Gerald Lampert award for best first book.Her book translations include Louis Patrick Leroux’s play False Starts: A Subterfuge of Excellent Wit (with Alexandre St-Laurent; Talonbooks, 2016), Martine Delvaux’s White Out (LLP, 2018), Jeanne Painchaud’s ABCMTL (ruelle, 2019), Stéphane Martelly’s Little Girl Gazelle (ruelle, 2020), Ioana Georgescu’s Daughterof Here (LLP, 2020), and Marie-Claire Blais’s Songs for Angel (House of Anansi, 2021). Her translations of David Clerson’s first novel, Brothers (QC Fiction, 2016), and of Alina Dumitrescu’s A Cemetery for Bees (LLP, 2021) were shortlisted for the Governor General’s Award for translation. www.katiagrubisic.com

Katia Grubisic's profile page

Awards

  • Winner, Grand Prix du Livre de Montréal

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